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List this Seller's Books. Payment Methods accepted by seller. Stock Image. Published by Signet Classics, Used Condition: Good. Save for Later. About this Item Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. About this title Synopsis: The Sorrows of Young Werther brings to life an idyllic German village where a youth on vacation meets and falls for lovely Charlotte.

Felt like things fell off the table about fifty pages in. Started wonderfully, with plenty of wisdom and enthusiasm and vivid description of village life. Love interest develops. Charismatic youth who abhors grumpiness falls for a hottie named Lotte betrothed to a good dude. Cue Werther's dissolution! Activate the chute down which protagonist slides en route t I probably shouldn't rate this since I skimmed its second half and didn't spend more than a few minutes looking at the supplemental bits.

Activate the chute down which protagonist slides en route to the grave, addled with plentiful apostrophes! I'm not sure I like Goethe -- he's maybe too conscious of his role as acknowledged legislator? Anyway, might look at Elective Affinities one day. Watched FW Murnau's Faust as rad as it was silent, although it too seemed to lose its plot a bit midday way through , which will have to suffice as preparation for Mann's "Doctor Faustus" in View 1 comment. Your sorrows were often mine; you dragged me down into the mire with your incessant melancholy and self-pity, so much so that I wanted to shake you by the shoulders and order you — in slightly more colloquial language than this - to have some self-esteem in your nether regions, and find a different woman to tickle your fancy.

But then again, I was never much for the Classicists. It says much for Young Werther that I found the follow up to the title story more of an engaging read.

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Reflections on Werther is an interesting psychological analysis that explores the reasons for deep melancholy, and the subsequent journey into depression that some find unavoidable. Goethe even cites English poetry as a contributing factor in the melancholia of the era; that could be quite close to the truth! No wonder we love reading!

Overall, not exactly my cup of tea, but I guess this is one of those important reads and writers that all ardent readers need to check off their lists. Jun 25, R. I, personally, enjoyed the Romantic Idea brought to its logical conclusion with this little gem. But, I can see how others might find it or much of from the Romantic Movement too syrupy. View all 5 comments. Sep 10, Lyra Goga rated it it was amazing. This book is my Bible!!!

And Goethe may as well be God!! Oh dear, what an experience. I will hold Werther in my heart for eternity. I'm so in awe I almost started crying merely for Goethe's incredible power and beauty and magic of words. Jul 03, Sam Ruddick rated it liked it. Most people know what this book is about before they read it I think, but if you don't here come spoilers: it's about Werther, who falls in love with a woman engaged to another and eventually offs himself.

Might sound kinda pathetic, but the character and the writing make this little book a gem. It is epistolary for the most part and a philosophical consideration of lov It is epistolary for the most part and a philosophical consideration of love and unrequited love, as well as nature, art and God. When Werther killed himself I felt like it was the right thing for him to do under the circumstances, or at least that I could understand why he did it.

So enchanting. May 29, Michael rated it it was amazing Recommends it for: people with sharp objects at a safe distance. The Sorrows Of Young Werther is the precursor for all of today's teenage rants on internet blogs about love and its hardships, and it is an utterly enthralling read. Geothe has really been denied his proper acknowledgement as an author, where usually the only required reading of his tends to be a sample of Faust at college level. Sorrows is written through a series of letters from Werther to someone at his home, his correspondance with his roots.

Though tragic, Sorrows should rather be themed mo The Sorrows Of Young Werther is the precursor for all of today's teenage rants on internet blogs about love and its hardships, and it is an utterly enthralling read. Though tragic, Sorrows should rather be themed more as a book proclaiming a connection to nature and a very final means of gratification, instead of a book fancifying death.

Dec 20, Nooilforpacifists rated it liked it Shelves: german-fiction-about , music-art-entertainment. Germans are odd. Clipped, precise and order-driven, yet over-the-top sentimental. And this is the book that started it all. Overwrought in the extreme, it sparked a wave of ever more extreme suicides in the German-speaking world that persisted at least until WWI one enterprising Austrian broke into Beethoven's apartment, years after his death, to kill himself where genius had dwelt.

Anyway, this is barely readable, but important historically. The best novel I have ever read. What began as a required read for a class turned into my leisure reading. I am normally a slow reader but I finished it in 3 days, which is very fast for me. This particular translation I found very suitable and elegant. The language, though, should not distract one's attention.

I began reading half-heartedly, not having any prior knowledge of the book. As the plot began to unfold, I was unwillingly drawn in and unwillingly subject to a flood of emotions. I found The best novel I have ever read. I found that I could relate entirely with Werther, being an introvert and having found myself in similar circumstances, though not exactly similar, those being two things that Goethe mentions in his reflections that produce the most impassioned, moved readers of the book.

I have never been more emotionally and deeply tampered with by a fictional book in all my life. During the final succession of events at the end, I felt that I was alongside Werther undergoing the exact same emotions, enduring the painful suspense and having to mentally prepare myself with him.

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I feel as if I have experienced what he experienced because I have read the book. Goethe wrote out of personal experience according to his reflections, to express his own similar emotions, and I must say that my own experience tells me that writing out of passion and personal experience produces the most highly charged work. The plot is no surprise. At very occasional times I even felt angry at Werther for idolizing Lotte.

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I felt that his utter devotion was really unprompted, perhaps suggesting insanity, but these moments quickly faded again into a personal sympathy for Werther and an anger, rarely at Lotte and many times at Albert, for the circumstances which they foolishly foisted upon Werther, Albert especially guilty of not proceeding to try to console Werther or offer him at least the effort to help him. If any, Lotte's guilt lay in her hasty foolishness at the end and her egging Werther on, or failing to limit her requiting, at the very outset.

Anyhow, I found the story cohesive and meaningful, and no aspect detracted from the work. How anyone couldn't be in some way moved by Wether is beyond me. A mind free from an idealistic, giddy view of the world will see Werther's life most clearly. It is precisely that cloud that was lifted from his mind shortly after the beginning that caused the ensuing events. They can't be understood except in such such a light.

Near the beginning he was passionately arguing against the folly of not seeing the world happily, of not coming alongside your friends and helping to "leave them with their joys and increase their happiness by sharing it with them. Can you give them a little comfort when they are tormented by fear? It is precisely this fact of life that Werther comes to terms with. As Sir Toby the drunkard of Shakespeare's "Twelfth Night" said to the stereotypically puritanical Malvolio "Dost thou think because thou art virtuous there shall be no more cakes and ale?

He should have destroyed his idealism before he allowed his feelings for an engaged woman to grow, he and she both knowing that their feelings wouldn't go anywhere. His descent into reality carried him six feet under, as it were. Anyhow, that is the extent of my criticism of Werther.

This translation has earned 5 stars, easily, with the quality of language as well as Goethe's exceedingly superb story. I must say, I found myself frenzily warding off melancholy every time I read it. It was that profound and tangible for me, though probably not for every reader. This review has been hidden because it contains spoilers. To view it, click here. There are 4 writings in this book and each is reviewed separately, except for the last 2.

The content of these letters vary from infatuation, to desperation to final lamentation. What strikes me in these correspondences is the amount of details provided about the autonomy of the human spirit. Goethe gives us the story of a man's heart free-falling into an abyss bec There are 4 writings in this book and each is reviewed separately, except for the last 2. Goethe gives us the story of a man's heart free-falling into an abyss because of an impossible love. Thus, his only outlets is his letters.

The affinity of Werther's spirit and the tone of amorous hopelessness permeate every utterance of his. He is on a journey not of self-discovery, for his self is already tangeled in the webs of a doomed love affair. It is rather a journey of self-liberation: Werther wants to distangle himself from such a condition, but he fails at doing so. Goethe succeds to transfer the inner life of Werther by writing a one-way series correspondences the receiver of letters is not an agent in the story, for he remains on the receiving end.

These letters give the impression of being diary entries, for Werther seems to indulge into prolonged soliloquies in order to reflect on, or lament his deperate state. Werther is the epitome of a doomed loved whose obssession with his beloved reaches a pathological level. It is also important to point out the ironic and yet essential continuation of Werther's story by the edito even after his suicide.

This is one of Goethe's tools of subverting and "showcasing" the "authenticity" of the epistolary genre. No, it is a stereotypical description of a state of infatuation and admiration. Goethe masters the Romantic increment as a vessel to such emotions. Imagination coupled with a sense of a patheistic passion are the instruments by which Goethe manages to paint such a lovely portrait of a love relationship.

His trips to Sesenheim are like those of a longing wanderer who sees his destination as a temple of the noblest of feelings. This short story really is a beautiful narrative of a passion that transcends this carnal realm. His style reminds me of Brothers Grimm's. Yet, Goethe's Romantic proclivity tinges this type of the Fantastic and makes it a wonderful combination of far-fetched, but heart-warming tales. Goethe manages,indeed, to use these two prolific 18th C. Sep 08, Marisa rated it it was amazing Shelves: favorites.

I want to write novels about this book. Actually, others have already. Well, not precisely, but Mary Shelley did include "Sorrows" in the trio of books that the Monster finds in the portmanteau in the woods, alongside Milton's Paradise Lost and Plutarch's Lives. I now know why. This is an incredibly sensory and heartfelt collection of letters from "a young unstable man," Werther, who falls in love with an engaged woman. Goethe whom I adore explores and gives commentary on societal duties and e I want to write novels about this book.

Goethe whom I adore explores and gives commentary on societal duties and expectations, happiness and depression, devoted and unrequited love, and suicide, which fascinates me. Goethe wrote this in four weeks when he was 24 and went through a difficult time, and the passion and wildly fluctuating emotions of Werther are both invigorating and dispiriting in turn. The novel is relatively short for the level complexity and number of ideas it conveys, and feels a weighty semblance to Shelley's Frankenstein, in atmosphere if not entirely in tone.

This is a tragedy in the vein and spirit of Hamlet, and the moment it ended I wanted to start it again. Please try and read this book. I purchased this book from a street vendor almost two years ago not knowing anything about it. I read The Sorrows of Young Werther in about two days and the rest of the commentary and remaining stories in the next week. I think one of the strong points to this story is the form of writing-- one-sided letters to friends of a love struck man.

Also, the story line is real and relatable and very forthcoming in the desires and emotions of Werther. Poignant, dramatic, sad, but lovely. A cla I purchased this book from a street vendor almost two years ago not knowing anything about it.

A classic on my shelf. Apr 07, Jimmy rated it really liked it Shelves: classics.

When a young Johann Wolfgang von Goethe learned of a man's suicide, he asked his girlfriend to find out all she could about him. The result was this fictional story based on an actual event. It is a classic study in depression. It loses something over time, but it is also far ahead of its time.

Consider the hero who looks at the world as a prison and life just "prolongs his miserable existence. Jun 13, Tania ForgivenSoul rated it really liked it. I found the sorrows of young Werther so beautifully tragic. I was drawn to the nakedness of his internal wars of human nature and his stubborn yet graceful character. I was taken by his ponders dealing with an unattainable love and happiness, of deceptive illusions and with his philosophies on suicide and lunatism.

He is a classic helpless romantic, passionate and melancholic, a dreamer like myself. Too melodramatic for my tastes Mar 28, M. This is an interesting collection of Goethe's writings--the piece which originally made him famous, some excerpts from his own journals relevant to it, and two other fantasy stories. It came into my hands because the county library had tossed it on the free book rack and I knew the author's name, but only for Faust, known to me best from the telling by Wishbone on PBS, but of course long before that as the story of the man who sells his soul to the devil.

In high school I read the original Bram Stoker's Dracula, and what impressed me most about the tale was the telling: Stoker spins the story through letters, diary entries, newspaper clippings, and similar scraps of fictional historic sources. The main story here, The Sorrows of Young Werther, is very similar in this aspect, being predominantly letters written by the central character to a friend, with sections of narrative from the supposed compiler particularly toward the end, to fill the gaps. Somehow when we meet the seemingly happy young man at the beginning of the telling we know that in the end he commits suicide, and the path to that is completely opaque--he is a young man with few problems and much joie de vie, loving nature and the views of the valley afforded him from the property he apparently owns.

His happiness only increases when he meets a young girl whom he describes in wonderfully warm tones, even though he knows from the beginning that she is engaged to be married to a promising young man presently settling family business far away. He and she become close friends, sharing very similar outlooks on life and having many common interests.

The Sorrows Of Young Werther

He finds excuses to spend time with her, and she does not discourage this. Then when her fiance returns they become a close threesome--the men never as close to each other as each is to the girl, in their different ways, but respecting each other and embracing each other as friends. The girl marries her intended, and we see Werther deteriorate. His passion for her grows, and he starts to push the envelope; she tells him he must leave. In the end, he borrows her husband's pistols, and kills himself.

The Sorrows of Young Werther and Selected Writings - Johann Wolfgang Von Goethe - Google книги

That we know from the beginning that this is the outcome perhaps makes it clearer as it crosses the midpoint; but of course we also find that despite the very upbeat sound of those early letters we see the missteps, the decisions that draw him into a relationship that is bound to be less than he wants and more than he can hope.

He seems to have very high highs at times, and bouts of depression between them, and then recover and collapse again. Since such an understanding of mental illness was not available to Goethe, it seems quite an insight into character to have captured that. Of course, I am reading in translation, but I was impressed by the use of language; it is difficult to assess how much of that comes from the original and how much is the translator, but it was an easy read and an entertaining one; this is so throughout.

Following the story are the several sections of history, including a segment telling of a similar love in the author's own life. They are here in large part because they explain some of the source of the ideas of the story. Goethe wrote the story in the wake of a prominent suicide of someone he knew at least in passing, and he frequently was asked how much of his telling was "true", by which people meant whether it was what happened to the person in question.

In fact, some of it was drawn from the events of that individual's life--he had fallen in love with a married woman and killed himself in despair--but it was drawn from several other sources as well. In that sense, Goethe might have said it was all true, but of many different people, and that almost none of it was completely true of the case to which it was in most minds connected.

These sections gave some insight into European continental life in the eighteenth century that were interesting and informative. It was followed by a story, and Goethe apparently was a good storyteller. The problem with this story is its place in the book--had I checked back to the table of contents I probably would have realized that I had crossed into fiction, but Goethe tells the story in the first person, describing his own travels, an encounter with a beautiful woman who agrees to let him help her carry a chest into an inn where they are both staying, and the relationship that grows between them.

She gives him money to pay for things, and he travels with her, and gradually the mystery becomes a fantasy. He discovers that she is actually a pixie princess, that she is using magic to become larger during the day but at night she returns to her normal size and lives inside the palace that is the box he carries. She has come from the pixie kingdom to find a husband, to help save her people, but when he gets drunk and starts spilling the secret, she has to leave and return home.

He can come with her, though, by wearing the ring that will make him smaller. He agrees--but then when he realizes that a wedding is planned for him and his now pregnant intended, he panics, files off the ring, and returns to his normal size to return home. I did not much care for the ending.

Obviously not everyone lives happily ever after, and perhaps there is something significant in his concern that somehow marrying the princess is a permanent arrangement; but it seemed to me that he was very happy in that relationship and in that position, and his decision to leave so abruptly was a bit contrived to bring about the end that he was telling the story.

Of course, there has to be a sequel to this somewhere--not, that is, one Goethe told, but the story of the child. It was rather dissatisfying in that regard. The final section is entitled Fairy Tale, and it is fantastic from the outset, as two wil-o-wisps request a ride from a ferryman, and after taking them across the ferryman says he cannot accept in payment the gold that they shake out of themselves but must have three cabbages, three artichokes, and three onions.

They must promise to pay or they will suffer some penalty. From there we meet an old woman who is wife of an old man with a magic lamp, a snake who eats the gold coins and becomes something quite magical, a hidden temple with the statues of three kings, an insubstantial giant with a solid shadow, and a woman known as the Magical Lily, and a story unwraps around them to a happy ending.

It has a lot of fascinating ideas. However, it seemed a bit ill constructed, almost as if he made it up on the fly and did not reconsider it. Right near the beginning when the wil-o-wisps offer the gold in payment, the ferryman scolds them saying quite emphatically that if a gold coin were to fall into the river it would be catastrophic. Repeatedly throughout the story the wil-o-wisps shake off more gold coins, and people take them--and never once is there any suggestion of the possibility that one might fall into the river.

I was waiting for the other shoe to drop, as it were, and it never did. If there was meaning to those stories, I did not fathom it; they struck me as more a sort of Baron Munchausen type entertainment. The best of the book was the journal entries surrounding his relationship with the daughters of the country parson, although I wondered whether she was going to become Mrs. Goethe and was somewhat disappointed when she did not. But then, it was part of the point, I think.

It was worth reading, and I might read it again sometime, but I wouldn't say to buy a copy. It is important not necessarily to judge this book as one among many and better epistolary novels that followed it, but instead to see it in the unique, powerful way that readers of the time understood it. Werther is something of an anomaly in 18th-century Europe.

He lives apart from his parents, working at his art--initially--until he falls under the spell of Lotte. Despite Lotte's existing engagement to Albert and her responsibilities at home caring for younger siblings, Werther lives for his own emotions and ignores convention a trait repeated during a short sojourn away from Lotte where he is posted as a diplomat, trying to adjust to rigid class structures of the court.

As Goethe writes in a later Reflections on Young Werther "The decision to let my inner self rule me at will and permit all outside events to penetrate ina way characteristic of them drove me into the wonderful elment in which Werther was conceived and written The result was a marvelous affinity with nature and a warm and heartfelt response--aharmony with all things--that made me capable of being deeply touched by every change, whether of place or region, of day or season, or by anything else.

The eye of the painter was added to that of the poet. A beautiful landscape, enlivened by a friendly stream, heightened my inclination for solitude and favored my quiet but extensive observations.

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Goethe became the literary heartthrob of his day with Werther, although he is known today for later successes like Faust. Werthers tragic end set of a series of copycat deaths across Europe that brought Goethe the ire of the Church. I enjoyed the selection, "Goethe in Sesenheim," which chronicles a real-life romance of the author, inspired by the novel, The Vicar of Wakefield. I'd wanted to read Werther for a long time due to my interest in and intense love for German Romanticism. I was hoping Werther would be an exposition of that philosophy in a most pure and wonderful form. However, I found it almost intolerable to read, and would have given up at several points had it not been so short and famous.

Most of the book is presented from Werther's point of view, and throughout that whole section, he is a completely one-dimensional, superficial character.